The art of making Bubbly

Monday, 9 February, 2015
Graham Howe
The sparkling wine season traditionally spikes from New Year to Valentine’s Day. Graham Howe reports on how the fastest growing sector of the SA wine industry has grown into the new buzz-word: a wine for any occasion, anytime of the year.

“There is no brand loyalty in still wine - but it still exists in the bubbly market. Consumers are confused in the still wine aisle at a supermarket - but not when they get to the bubbly shelf” - Pieter Ferreira, cellar master, Graham Beck Wines.

Hardly a week goes by without a new press release in my inbox, announcing the release of a maiden Méthode Cap Classique by a Cape wine producer - or the extension of a rosé sparkling wine to a portfolio. The new year is barely underway - and already heralds releases of Lanzerac’s maiden Blanc de Blancs MCC, Muratie’s maiden Lady Alice Brut Rosé 2012 and L’Ormarins maiden Brut Rosé. Over the last six months, I’ve attended high-profile launches of Delaire Graff’s Sunrise MCC (an intriguing blend of Chenin, Chardonnay and Cabernet Franc), Vondeling’s Rural Méthode Ancestral (single bottle-fermented Chardonnay) and several others. 

A bottle-fermented wine is de rigueur in a wine portfolio these days. The category has grown to include reserve, vintage, non-vintage, brut, demi-sec, blanc de blancs, rosé, zero dosage, low alcohol, low-sulphite and MCC made from varieties from traditional Chardonnay and Pinot Noir to Chenin Blanc, Pinotage, Cabernet Franc and Shiraz. Over the last forty years, the number of MCC producers in the Cape has surged from a dozen pioneers (with 14 founders of the Cap Classique Association in 1992) to an estimated 130 MCC producers across a dozen regions making over six million litres - entries crossed the one hundred mark in the 14th Amorim Cap Classique Challenge in 2014.

While MCC pioneers such as Graham Beck, Boschendal, Haute Cabriere (Pierre Jourdan), The House of J.C. le Roux, Simonsig (whose Kaapse Vonkel was the Cape’s first bottle-fermented wine in 1971) and Villiera led the way, many newer specialist MCC houses have made their mark from Ambeloui, Ayama, Colmant, Genevieve and Môreson to Charles Fox, Saltare and Silverthorn. Two newcomers, Claudia Brut MCC 2009 from Domaine des Dieux, a boutique cellar in the Walker Bay area won South Africa’s best overall Cap Classique producer at the 2014 MCC Challenge - while Lord’s MCC Brut from Robertson won best Non-Vintage Brut

At a benchmark vertical tasting of Graham Beck Blanc de Blancs in 2014, Pieter “Bubbles” Ferreira identified the fascinating trends in the cellar’s “pursuit of the perfect bubble”. Since the release of Graham Beck’s maiden 1991 MCC, the portfolio has grown to production of over one million bottles of seven MCC brands, including the flagship Beck Blanc de Blancs - the 2009 vintage won the only Platter five-star MCC rating and the IWSC 2014 trophy for best bottle-fermented sparkling wine. Although they use 85% own fruit, Beck’s “champagne philosophy” is based on blending fruit from a dozen areas to make a multi-regional blend with a sourcing footprint from cool-climate Elgin and Hemel-en-Aarde to Darling and Stanford.

In an overview of the evolution of the MCC industry over the last decade, Ferreira, one of South Africa’s top MCC makers, stressed factors such as the role of new virus-free Chardonnay clones, picking at 19 Balling to create the right aromatics and low phenolic content of the base wine, gentle whole-bunch pressing, minimal colour pigmentation, the use of barrel-fermented Chardonnay and experiments with yeast strains. He believes, “A vineyard should be at least six years old for MCC. The right soils create the right flavours. Time on the lees is where the real magic lies - the linear development of the yeast. We like to keep it on the lees for up to four years. The dosage is where the unregulated, free space lies. We don’t add brandy, cognac or oaked Chardonnay at dosage - and I like to use the same vintage for the dosage.”

When it comes to maturing Cap Classique, Ferreria says the two styles of younger, fresher and older, more savoury, oxidative MCC depend on consumer preference. He says the new wisdom is “the older the MCC, the longer the time it should spend on cork”. The improved quality of cork over the last twenty years is also a factor affecting the wine. He says changes in weather patterns have also affected vintages - and that the 2008 vintage was the tipping point for newer clones which build more minerality and brighter, “nervous” nuances. “The best selections of the best parcels of Chardonnay express the vintage of every Chardonnay-based MCC at Graham Beck”.

When he’s not in Graham Beck’s customised three-part sparkling wine cellar in the Robertson Wine Valley, Ferreira is a flying MCC winemaker making the first bottle-fermented sparkling wine at Kendall Jackson’s renowned winery in Sonoma, California - working with on a maiden Chardonnay/Pinot Noir sparkling blend.

“Robertson is the Cap Classique capital of South Africa. MCC put Robertson on the map” declares Jacques Bruwer, third generation winemaker at Bon Courage. One of the pioneers of MCC in the early 1990s in the Robertson Wine Valley - with Graham Beck and Weltevrede - Bon Courage has been overall and category winner at the annual Cap Classique Awards several times for its three styles of Blanc de Blancs, Reserve and Rosé MCC. He adds, “Robertson has world-class terroir for Chardonnay. We can match any champagne. Many MCC producers in other areas of the Cape buy grapes from us”. He adds they make MCC in “a cellar within a cellar”- and “The mouthfeel, the balance of sugar and acid is so important. The dosage is our secret!”

Jacques Bruwer who works with his brother and father in the cellar and vineyards says, “We have dedicated specific vineyards of Chardonnay and Pinot Noir to make our MCC. We want to get the terroir into the bottle, to make site-specific MCC. When it comes to our Brut Reserve, I want to make a big wine. We keep it on its lees for 36 months - and under cork for nine months. This is what champagne should taste like! We use 100% barrel-fermented Chardonnay to add complexity. We get optimum physiological ripeness at lower balling in Robertson. We get a typical lime/citrus flavour profile - whereas Franschhoek gets a signature granny smith apple character. We produce so many styles of MCC in all the wine regions of South Africa”.

I explored the Robertson thumbprint at tastings of a dozen or so MCC producers at the annual Wine on the River in the Robertson Wine Valley in October 2014. A range of MCC blanc de blancs, rosé and reserve styles were showcased by Bon Courage, Bon Cap, De Wetshof, Graham Beck, Lord’s, Robertson Winery, Roodezandt (Balthazar Brut), Weltevrede (made by fourth generation family winemaker Philip Jonker), Windfall (Mendola), Wonderfontein (under the stunning new Paul René MCC label of the fifth-generation Marais family farm) - not forgetting Silverthorn (a trio of acclaimed MCC’s made from Robertson grapes by Steenberg’s John Loubser).

One of the highlights of the festival was a tasting of Philip Jonker’s award-winning trio of Weltevrede Brut MCC’s - a collection poetically named Entheos (a Chardonnay/Pinot Noir blend), The Ring (Blanc de Blancs Chardonnay) and Lindelize (100% Pinot Noir). Since making his first vintage of Cap Classique in 1994, Philip has gone on to specialize in making different expressions of still Chardonnay and MCC. He says, “Chardonnay is the main role-player in the Robertson Wine Valley. The rocky shale soils give us wonderful minerality. There’s a reason why every country’s Chardonnay taste different - it’s about the national palate. South African consumers like exotic, fresh fruit flavours in their Chardonnay.”

Last but not least I did a vertical tasting at De Wetshof of their MCC Brut and Pinot Noir Brut (both rated 4,5 stars by Platter’s SA Wine Guide 2015). Johann de Wet reveals it took seven years to release their first commercial vintage (Brut 2007 which spent five years on lees) and that MCC volumes are still very niche in this renowned cellar which specialising in making seven or so styles of Chardonnay in rich clay and chalky, limestone soils. He says Robertson is able to harvest Chardonnay at 19 balling to make a neutral base wine - and that the MCC develops its real character on the lees.

* The Sixth Annual MCC Festival of Bubbles takes place at The Vineyard Hotel in Cape Town on Sunday, 1 March. The Robertson Hands on Harvest Festival is underway at wine farms from 7 Feb to 29 March 2015 - www.handsonharvest.com

Graham Howe

Graham Howe is a well-known gourmet travel writer based in Cape Town. One of South Africa's most experienced lifestyle journalists, he has contributed hundreds of food, wine and travel features to South African and British publications over the last 25 years.

He is a wine and food contributor for wine.co.za, which is likely the longest continuous wine column in the world, having published over 500 articles on this extensive South African wine portal. Graham also writes a popular monthly print column for WineLand called Howe-zat.

When not exploring the Cape Winelands, this adventurous globetrotter reports on exotic destinations around the world as a travel correspondent for a wide variety of print media, online, and radio.

Over the last decade, he has visited over seventy countries on travel assignments from the Aran Islands and the Arctic to Borneo and Tristan da Cunha - and entertained readers with his adventures through the winelands of the world from the Mosel to the Yarra.